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Legend of The Nameless Master

JAE DUMAR WORLD ™ SHORT FILM SERIES AND LIMITED EDITION SOUNDTRACK COMING SOON !

 

PART ONE: LEGEND OF THE NAMELESS MASTER © ™

“If you plant a coin made of silver at the bottom of The Nameless Master’s Tree; that night at 12 O’clock midnight you will be granted his power.”

Al Hazrat  Al Amir Prince Abdullah (Prince Abdul Alhazred)

 

 

WHO IS THE NAMELESS MASTER ?

A Student of a rare form of Sufism from Madagascar; traveled to West Africa to collect rare arcane artifacts from the Fulani tribe of his father…

Taken as a slave by Europeans he was sold to American plantation owners. Consistently escaping captivity; he was taken by the infamous Whateley Plantation. There he was beaten mercilessly and forced to take on the slave name William Whateley. Rejecting the slave name he was tied to a tree and  beaten to breath of his life. Cursing the plantation; killing all there that desired him to take the slave name. He then escaped the Plantation on found by a band of Ojibwa outlaws; with whom he found refuge; becoming the legendary Nameless Master.

Today that tree stands at Miskatonic County park; former location of the horrific Whateley Plantation..

Based on short story by JJ Qiyamah ©

Jae Dumar World ™ and Legend of The Nameless Master ™  are trademarks of The JJ Qiyamah Estate all rights reserved.

 

INTO THE FUTURE CHAMBER EP

Offical artwork for the In to The Future Chamber Ep by J-One Supreme prod by Dlah founder of Future Chamber
Offical artwork for the “BACK The Future Chamber” Ep by J-One Supreme prod by Dlah founder of Future Chamber entertainment

INSTRUMENTAL PREVIEW

INTRO PROD BY DLAH (OF HELLKEYDOE)

ENTER J-ONE SUPREME (PROD BY DLAH OF HELLKEYDOE)

GRID TRAINING (PROD BY DLAH OF HELLKEYDOE)

VOODOO GUNSLINGER (PROD BY DLAH)

 

JAE DUMAR WORLD IS PROUD TO ANOUNCE THE SOON COMING INTO THE FUTURE CHAMBER EP

BACKSTORY

Jae Dumar World meets Hellkeydoe

Jae Dumar World made its official debut under the Future Chamber (formerly Papa Wu records) releases Hellkeydoe Dawn of the living and Bipolar the after effect. This is what we Jae Dumar world as brand call the Legacy Era. During the Legacy Era the brand’s founder was known as J-One Supreme

Hellkeydoe is the first and last a hip hop group from Future Chamber entertainment (formerly Papa Wu records (founded by Producer and emcee Dlah)

FUTRUE CHAMBER (FORMERLY PAPA WU RECORDS)

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THE HELLKEYDOE ANTHOLOGY MIXED TAPE COMING SOON BY JAE DUMAR WORLD SNEAK PEAK

TRACK 1

SELF OR SAVIOR PRODUCED AND WRITEN AND PERFORMED BY DLAH OF HELLKEYDOE (FUTURE CHAMBER ENTERTAINMENT

TRACK 2

MIAMI VICES BY HELLKEYDOE FEAT DUNGEON MAST (OF WU AFFILIATES BROOKLYN ZOO) PROD BY DLAH

TRACK 3

10TH CHAMBER (PAPA WU AND ODB TRIBUTE) BY HELLKEYDOE FEAT. HUSKY TEE PROD BY DLAH

WISE BY DLAH OF HELLKEYDOE (ALSO PROD BY DLAH)

 

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Hellkeydoe – Popa Wu Recordsfuturechamberentcom (DatPiff.com) : Free Download, Borrow, and Streaming : Internet Archivehttps://archive.org/details/datpiff-mixtape-md3a2d50

 

HELLKEYDOE DAWN OF THE LIVING ALBUM FEAT JAE DUMAR WORLD (J-ONE SUPREME)   OFFICIALLY MARKING JAE DUMAR WORLD HIP HOP DEBUT, WITH THE SINGLE 1,000 YEARS (TRACK 8) PROD BY KON SCI (OF MINDSONE)

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Hellkeydoe – Dawn Of The Living (DatPiff.com) : Free Download, Borrow, and Streaming : Internet Archive Continue reading INTO THE FUTURE CHAMBER EP

The Greatest Rappers of all Time

The Greatest Rappers of all Time

an article by J.W. Qiyamah

The subject of the greatest rappers of all time is a broad and wide ranging topic. It also a topic that must be rooted in a standard to measure the performers by. Most articles,blogs etc uses sales, views, and likes to measure weather a rapper is great or not. This in reality is a standard that is not in harmony with the values that Hip Hop was founded on. When Hip Hop started in New York in the late 70’s it was an urban subculture not a business. It is this fact that is missing in the minds of those that listen to Hip Hop today. Being that Hip Hop itself is not a business at its core, using a business standard to measure those that practice said culture is in huge error. This not to say that elements of Hip Hop culture have not been monetized. This is just to say that using a business model to measure a culture is an improper tool and or method. In fact if one is using record sales to measure the level of a Hip Hop artist should not even be considered, if you are not taking into account if the artist owns their music or not.

Hip Hop is an art based subculture complete with its own ever evolving lingo (language). The original elements of Hip Hop are emceeing (rapping), djinng (sound vibration), B-boying (breakdance) graffiti art. By the 1990s Hip Hop added street knowledge and street slang as its core elements.

In reality the proper standard to be used when measuring or observing the works of those practice the culture, should be ownership as well as what they have added to the culture, also brand building and cultural development. To further magnify this reality record sales were almost a correct tool to measure the levels of ones practice of the culture from the 90s to the early 2000s. However, after the rise of platforms like You Tube the selling of actual records, tapes an or Cds became a thing past on a large scale.

The advent of the internet and e-commerce has change the markets in ways that we as people are still discovering.

From modern fashion to modern slang you can find its roots in the subculture of Hip Hop.